Carolyn: But Kathleen … I didn’t say, nor can I find that anyone said, that he doesn’t look sick in the picture...
Carolyn: Alexander is referring to my reply to Evelyn’s comment above. I don’t say that...
Carolyn: to Joseph – I guess Daniel Patrick Moynihan is portrayed as so Jew-friendly that I got the impression...
Alexander: Don’t get me wrong I believe that Wiesel is a liar but I don’t understand why Carolyn believes...
Kathleen Stiver: hey all you vermin. You think he doesn’t look sick? Well how about this?...
“Never shall I forget that first night in camp, which has turned my life into one long night, ... Never shall I forget that smoke. Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky.” Elie Wiesel, Night (original edition)
“Not far from us, flames, huge flames, were rising from a ditch. Something was being burned there. A truck drew close and unloaded its hold: small children. Babies! Yes, I did see this, with my own eyes ... children thrown into the flames.” Elie Wiesel, Night, p. 32
“The thousands of people who died daily in Auschwitz and Birkenau, in the crematoria, no longer troubled me.” Elie Wiesel, Night, p. 62
“Dr. Mengele was holding a list: our numbers. [...] I had but one thought: not to have my number taken down and not to show my left arm.” Elie Wiesel, Night, p. 72
Primo Levi, on page 27 of his highly-quoted book Survival in Auschwitz, writes that every prisoner had to have a tattoo. “It seems that this is the real, true initiation: only by showing one's number can one get bread and soup.” Without a tattoo, how did Wiesel survive?
Observation by a Jewish sociologist/camp survivor:
“...most of the memoirs and reports [of 'Holocaust survivors'] are full of preposterous verbosity, graphomanic exaggeration, dramatic effects, overestimated self-inflation, dilettante philosophizing, would-be lyricism, unchecked rumors, bias, partisan attacks...” —Samuel Gringauz, "Jewish Social Studies" (New York), January 1950, Vol. 12, p. 65.
Theater J (for Jewish) "caved" to the Nobel laureate when he FedExed a letter to the playwright that his lawyers would make sure her play, Imagining Madoff, featuring Bernie Madoff, Elie Wiesel and a secretary, never reached the stage. According to the Washington Post, Wiesel used the words "obscene" and "defamatory" and added, "Nothing of me is in your script!" The story, written by Ted Scheinman and Jonathan L. Fischer, is here.
Enlarged close-up of Elie Wiesel’s arms in a 2006 photograph by Eyal Toueg, first published in Haaretz (see previous article).
by Carolyn Yeager copyright 2016 Carolyn Yeager
It’s pretty pathetic to be confronted with a picture like the above, and expected to acknowledge that it is Elie Wiesel’s Auschwitz tattoo that I have been asking to see for six years now. Once again, the best suggestion I have for magnifying it is to click on it to get the image page, then hit the plus key up to 8 times while holding down the Ctrl key. The image stays sharp while being greatly enlarged. What do you see? I invite all the amateur, and maybe professional sleuths out there to do their thing.
Wiesel has been hiding this faded-out, so-far-undecipherable spot on his arm for 70 years, and now that he’s safely buried and completely inaccessible, Haaretz, the Israeli newspaper that broke the story of Wiesel’s death, is beginning to reveal that arm. At least, that’s how it looks from where I’m sitting.
To the naked eye, it appears to be a bruise on the arm. Upon magnification, we can barely make out what appear to be numbers, but it’s not at all clear what numbers they are. I see a couple but I’m not going to reveal what I think I see because I want a better image – and think we all deserve one. The dark and light lines made by his arm hair create a confused mess, visually. What we need are more high-resolution photographs like this one, preferably with a straight-on view of the arm. The photographer Eyal Toueg must have taken many shots on this day in 2006 and he would have all the negatives. It is his responsibility to publish them all, every one that shows Wiesel’s left arm, but he is probably Israeli and is under the dictate of higher ups. Someone else may have bought all the negatives. Maybe Haaretz owns them.
As it is, we are left with many questions – such as, why has Wiesel refused to show his supposed faded tattoo over the years? Is it because it’s unreadable? If he revealed it, the public would question it – or at least sceptics would – and he was not prepared to answer questions. Probably, if there were journalists who took a genuine unflinching investigative approach, he would have been forced to discuss it, but none did. The efforts of Jean Robin of Enquete & Debat website to encourage such an investigation show conclusively that lack of journalistic willingness.
Has it been kept hidden because it is not A-7713? Could that be why whatever was there has been defaced or somehow unnaturally/synthetically faded or smeared? I cannot find any example of an Auschwitz tattoo that looks like his does.
Is it because it is something he put on his arm himself when he was a youth in France? In this 1945 photograph taken at the French orphanage for Jewish boys we see what looks like an Auschwitz tattoo, albeit a tiny one, on Wiesel’s arm in the same place we see the dark spot in the 2006 photo.
Elie Wiesel in summer 1945 in France – 16 going on 17 years of age.
The ready conclusion is that it’s his Auschwitz tattoo A-7713. But we can’t make it out at all! It’s already faint in 1945 and when I magnify it, no part of it is recognizable.
It’s also interesting that this photograph was posted on the Internet by French Jew Loupi Smith, but it doesn’t seem to be in the US Holocaust Memorial Museum online collection (where it is hopeless to try to view their Wiesel photo collection, anyway; they obviously don’t want you to see it). Nor is it in the Yad Vashem photo collection under Elie Wiesel – in fact, they have only 3 photographs with Wiesel in them – all the rest are aerial views of Auschwitz-Birkenau! Really weird. I think this decision to withhold pictures of Wiesel can only have come from Wiesel himself. In my opinion, though, the above is definitely a photo of Elie Wiesel in 1945 in France.
Our next pictures are these two, which show the same mark on the arm in the same place, but both are still completely unreadable as numbers. I assume these pics are from the same 2006 photo shoot that produced our newest picture, which is a much better high-resolution image. We can see sharp detail, but the “tattoo” is still not decipherable. It’s a really bad “tattoo!” The problem does seem to be with the “tattoo,” not the photograph. It is just very faint.
When this 2006 image is magnified, the possible “tattoo” is seen only as a darker spot, not recognizable as a number.
This image was also uploaded by Loupi Smith, but where did he get it? It’s obviously from the same 2006 photo shoot by Eyal Toueg.
Now take a look at this man’s equally hairy arm below– he is Erwin Farkas who was transported to Auschwitz from Hungary in 1944 at the age of 14. His number, A-7899, is only 186 digits beyond A-7713 – they are in the same time frame. His tattoo is faded and a little blurred, but still legible. There is no discoloration of the surrounding skin and the numbers are definitely blue. In fact, all the tattoos that one sees on the Internet are in this good of shape or better (many are fake though).
Erwin Farkas displays the Auschwitz tattoo A-7899 on his arm.
What happened to Wiesel’s that it is almost impossible to see? Only Wiesel could answer that – or would – so it’s clear that he didn’t want to since he didn’t let the higher quality picture at the top of this page be published during his lifetime.
In the “court of public opinion” and morally, if not legally … there is no excuse for Elie Wiesel to have been treated as he was by journalists and by historians. He had a duty to show the tattoo he said was on his arm and allow it to be photographed. He had a moral duty to prove that it was what he said it was—A-7713. His failure to do that over the course of many years makes him, and the mainstream media that enabled him, guilty of worse than negligence … they are guilty of “withholding evidence.” The media and academics are more guilty than Wiesel himself because Wiesel has to be given the right not to incriminate himself.
But morally, Wiesel is guilty of withholding evidence that was available all the time.
Above, I used the words “higher quality” but if all these pictures of Wiesel in the white knit short-sleeve shirt were taken on the same day by a professional photographer (which it makes sense that they were) then they should all be of similar high quality. And since we can’t make out the numbers on any of the three, it can only be that it’s the fault of the “tattoo,” not the photography.
I don’t believe this latest-to-be-revealed photograph from 2006 is photo-shop in any way. I do believe this is what Wiesel has on his arm, which he always claimed was A-7713. If it turns out to be A-7713, I won’t be upset in the least because all I’ve ever wanted was the truth about Elie Wiesel. But there will be questions and I will have a very hard time reconciling myself to the idea that the SS camp authorities could have made up a registration card for a 15 year old boy with the information that he was a 31-year-old man with the occupation of Schlosserlehring (Locksmith) – and never correcting it – allowing this boy to enter Buchenwald with that identification. No, it would be very hard to believe that.
The Buchenwald file card that shows Lazar Wiesel, born Sept. 4, 1913 (age 32), occupation locksmith, A-B prisoner number A-7713, arrived in a transport that left Auschwitz on Jan. 26, 1945.
So I can only hope that more of these photos by Eyal Toueg will be published. Because as it stands now, Elie Wiesel’s tattoo claims still don’t pass the most elementary test – that of what the heck is the number!
Though they say a picture is worth a thousand words, these two need some explanation. One is from 1987, the other from 2006. Since the more recent one will arouse much more attention, I better start with that.
This 2006 photograph taken by Eyal Toueg, displayed in a July 9th “Premium” article by Shlomo Nakdimon at Haaretz, has been cropped by me to remove some of the dark space to the right … the better to see the important details. This may be the first time it has been published.
You will notice right away that there is a smudge on Wiesel’s left forearm, precisely where an Auschwitz tattoo would be. Many people will say, Oh, that’s his very, very faded and blurred tattoo. But it looks more like a bruise, and, by using your keyboard to enlarge the image while retaining a clear resolution, you’ll find, as I did, that it then looks even more like a bruise the larger you go. Plus there seems to be more bruise just above it where his right arm meets his left.
[To enlarge the image, first click on it to get the full size image, then hold down the Ctrl key while clicking the plus (+) key as many times as you can or want. To bring it back to normal, do the same with the minus (-) key. Both keys are on the upper right next to “backspace”]
This photograph has to be from the same photo session that includes the one where he’s sitting with the oversize Hebrew book — he’s wearing the same white knit golf shirt and his hair is the same. That one has been used by Wiesel defenders to suggest there is a faint tattoo on his arm. You can see it hereandhere.
However, this kind of thing is the typical Wiesel mode of operation throughout his life. He refuses to be explicit about his person and his personal life, even though he gets very explicit about things like the “shades of wateriness of the soup” and the face of the boy he wrote was hanged in Auschwitz. But his own body–which can be checked–he offers not a word of description. And looking at this blue-black discoloration, I can see nothing—even with using all my imagination—that I could imagine to be a 7713. I know you can’t either, but you might try to come up with some theory about it. I have my own theory, that Wiesel pinched himself real hard the day before the photographer came.
In 2006 he was 77 years old, an age when it’s extremely easy to bruise the skin. And that’s what it looks like. Recall the tattoos of so many other inmates from his same time there — none look like this.
But I have a second theory, which might be better — that Wiesel had applied his own tattoo number with ink but he didn’t go deep enough. It was only applied to the dermis (outer layer of skin), not the epidermis, and so it disappeared over time as new skin cells grew until now it is just a smudge of dispersed ink. Remember the top photo on this page that doesn’t look like a real tattoo — this may be when he did it.
Now, the other picture indicts him even more. He is in Lyon, France for the Klaus Barbie show trial and stops by the Holocaust Memorial there on June 2, 1987. He just won the Nobel Peace Prize 6 months earlier, and this Buchenwald liberation photo was associated with him winning that prize. You recall right after the ceremony he traveled to Yad Vashem in Jerusalem and posed in front of a large blow-up of this very photograph.
Elie Wiesel, winner of the 1986 Nobel Peace prize, visits the Holocaust Memorial in Lyon, France, June 2, 1987. The photo on the wall shows prisoners of the German Buchenwald concentration camp inside their barracks, five days after U.S troops took over the camp near Weimar, Germany. Wiesel points to himself in the picture. (AP Photo/Laurent Rebours)
Notice that Michael Grüner on the bottom row was cropped out of this version, along with the tall standing man, but there is Mel Mermelstein peeking out from the upper far right. Mel wrote a whole book about his incarceration before Wiesel said in 1983 that he was in this picture, but Mel never mentioned knowing the already famous Elie Wiesel there in his book! Mermelstein resided in the children’s barrack, too.
In this photograph, the unkempt Wiesel is sealing his doom by pointing directly to the unknown person (not him) he is claiming to be himself. And with such a guilty expression, too! Nothing could prove his dishonesty and forgery better than this.
I came upon this picture in the Time magazine Elie Wiesel photo collection posted at the time of his death. When I saw this one I quickly saved it. This might be my all-time favorite picture of the Wiesel. I will surely make more use of it.
1986 Nobel Peace prize winner and writer Elie Wiesel (L) stands in front of a photo he claimed to be himself (bottom right hand corner) with other inmates, taken at the Buchenwald concentration camp in 1945, during his post-Nobel visit on December 18, 1986 to the Holocaust Memorial Center “Yad Vashem” in Jerusalem. SVEN NACKSTRAND/AFP/Getty Images)
BY CAROLYN YEAGER
The French website Enquete & Debat (E&D) has been on to Elie Wiesel’s failure to answer questions about his “missing” tattoo since 2012. The Jewish or part-Jewish chief of E&D is Jean Robin, and he is the one who has taken it upon himself, the past four years, to investigate what he calls the Elie Wiesel Affair. Robin has explained his position in this way: “I am also interested in these matters since a part of my jewish family on my mothers side died in Auschwitz, and a great grand father on my father side, Noël Robin, was deported to Buchenwald and died in Dora for resisting the nazis.” [For being active in the French Resistance, he means, just like Paul Rassinier who later turned into a revisionist. -cy]
Elie Wiesel Cons The World premiered on July 13, 2010. Enquete & Debat was established on June 18, 2010, but did not turn its attention to Elie Wiesel until Dec. 24, 2012, two and one-half years later. The first article based it’s information on Nicholas Grüner’s book Stolen Identity, Robin said. He wrote in that first article that they learned about Grüner from the American ‘Brother Nathanael’ (via Alain Sorel, the French négationniste), but Nathanael got most of his information from Elie Wiesel Cons The World. E&D has used an image that was created especially for EWCTW, so I know he is a follower of this site. Robin is careful not to give attention to it, though; he called me an “authentic nazi.”
M. Robin has done a beneficial service, which is much appreciated, by writing and phoning archivists at the Auschwitz-Birkenau state Museum in Oświęcim, Poland and the Elie Wiesel Foundation for Humanity in Romania, seeking information about Wiesel’s missing tattoo. The head person at the latter premises hung up on him when she learned the object of his call. He has made all of this public.
Unlike me, Jean Robin appears to be truly heartbroken over what he has discovered. He believes in the six million! He has written that he and Nicholas Grüner have repeatedly contacted news media and important figures within the Holocaust establishment with their information, imploring them to publicly question Wiesel, but got only insults or wishy-washy excuses in return. He believes that Wiesel’s forgery damages the Shoah story, and cannot understand why Wiesel is more important to these people than the entire Shoah. I don’t think he suspects, as I believe, that many of them already know the entire ‘Holocaust’ is a lie, but keep it up for the political power it gives them, or fear of that power. In his statement on Wiesel’s death, you can notice a tinge of bitterness mixed with the disappointment.
Elie Wiesel died before he confessed his lies about the Holocaust
Elie Wiesel, who lied about his identity, his Auschwitz tattoo that he does not have, and his imaginary detention in Buchenwald, as we have shown, has died. All media will praise a forger of history, whose lies have allowed deniers to create doubt about the Holocaust itself.
On this occasion, we have linked to all the articles we devoted to this infamous character [nine in all -cy], who is an enemy of the Jewish people and of Israel by his lies, his glory totally undeserved.
In my first article of 24 December 2012 [English version here], I wrote: “I am calling on the Jewish community throughout the world, personalities who are concerned about the Holocaust and the future of its memory, as well as major media to take responsibility and compel [Elie Wiesel] to answer the serious questions raised about him. This must be done while MM. Wiesel and Grüner, the two persons mainly concerned in this case, are by chance still alive, but unfortunately won’t be much longer because of their age (they are both over 80 years).” Alas, it is now too late, nobody took responsibility for Mr. Wiesel.
M. Robin understands, because he uses logic and reasoning, not emotion and fear, that there is no redeeming the Shoah witness Elie Wiesel now. He has died a liar. As the icon’s friends pass away too, will there be anyone to defend him? The United States Holocaust Museum in Washington D.C. must be very undecided as to how to handle their founding chairman from here on. There is no doubt he did not have the tattoo on his arm – never had it. There is also no doubt that the “important Holocaust figures” — what I’ve been calling the Holocaust Lobby, were unwilling to allow the question to be asked — indeed, and in fact, they joined in the lying (such as claiming Wiesel to be in the famous Buchenwald liberation photo) to help him get a Nobel Peace Prize. The top media liar would be the New York Times, followed by the Associated Press (AP), NBC and PBS, but all the rest went along too. While M. Robin will not consider the Holocaust-Shoah to be a hoax, he knows that “l’affaire Wiesel” is a hoax and that puts everyone who went along with it into question, whether he wants that or not.
Psychological terrorist Joseph Hirt speaking to 7th grade students (age 13), filling their heads with horrible lies with the blessing of school teachers and administrators. He was never vetted to find out if he was qualified to influence impressionable youth. Shameful carelessness !
BY CAROLYN YEAGER
The mainstream accounts of Joseph Hirt’s “confession” are showing up everywhere, but they mistakenly report it as Hirt “coming clean” about his lies. Not true. Hirt didn’t just lie about being in Auschwitz, he lied about many of his experiences during the “Holocaust” in general, and continues to do so. And really, how can you expect a man who claimed he saw Adolf Hitler turn his back on Jesse Owens at the 1936 Olympics (when he was 6 years old and living in Poland) to be a man you would ever trust to tell the truth? Particularly on this subject. This is only common sense – a universal human trait that has been made illegal in almost all of Europe, and socially condemned everywhere else because it is a threat to the “holy holocost” religion. But common sense is what I will be using in this article to show the pure hatefulness and falsity of the stories Joseph Hirt has been telling Pennsylvania school children for 15 years already.
As I wrote earlier, New York history teacher Andrew Reid did a knock-down, bang-up job in scaring the daylights out of old Joseph Hirt, threatening him with investigations of forgery, fraud and identity theft if he didn’t come clean and admit his Holocost survivor claims were false. After some initial resistance, the cunning 86-year-old realized his game was up and he needed Reid as a friend, not an enemy. Hirt composed a long letter and made it public by sending it to a newspaper. It is now posted at Scribd. for all to read. It’s clear from this letter that he is not sorry for what he did, he is only sorry he was caught and couldn’t wiggle his way out of it with a man of principles like Reid, who did a commendably thorough job. The letter is a combination treatise about the horrors of the Holocost, his personal life story, and a few paragraphs stating he was wrong to “insert himself into the picture” at Auschwitz, but he only had the best of intentions. He asks for forgiveness.
Hirt appears to me as an intelligent, educated man whose self-absorption developed into an obsession with “The Holocaust,” reading many books and surlievor stories about it. His counsel to the 6ththrough 12th grade students he’s spoken to for so long is to “keep the truth and the memory of the Holocost always in your heart and mind.” Is that good advice? The kind you’d like your children to receive in school? Hirt is convinced he’s turned many into lifetime believers and upholders of the holocost myth, and says that is his goal.
He begins the letter with an overview of what the ‘Holocaust’ was — his own condensed version of the official Jewish narrative — intended to bolster his claim to having the “best of intentions.” His intentions are to prevent it ever happening again … but did it happen the first time? He begins:
The Nazi Holocaust refers to the W.W. II concentration camp system used for the extermination of about six million Jews and about five million non-Jews by Nazi Germany.
False. The camps were not for extermination at all but for separating the perceived disloyal, harmful and or criminal elements from society, just as prisons everywhere. How does he explain that over half a million European Jews received lifetime payments from Germany if the plan was to kill them all? There were the same number of Jews in the world after the war as before – just in different places. Why were Jews still living in Berlin at the end of the war? Did the murderous Nazis forget about them? Why were there millions of displaced persons in Europe after the war? And why was his hero Primo Levi put in the camp hospital at an alleged ‘death camp’, Birkenau, and left there to await the arrival of the Soviets? He could easily have been put to death. There were also 600 or so children in that camp when the Soviets arrived, being well taken care of by Polish women. There is no proof of extermination at all, only assumptions based on a desire to punish Germany and exculpate the Allies.
The killings took place in specially constructed camps, most located in Poland, The victims were herded into cattle cars and transported to the camps. After days on end en route or standing unattended along the way without food, water, or medical care, many died.
Not at all. He can’t just generalize “camps” and make vague references to “days on end”. Transports to Auschwitz-Birkenau were at most two days in length, there was water in the rail cars, they brought their own food, and no one died en route. Many Jews were taken to their destination in passenger cars. Later on, in 1944, available trains were scarce.
On arrival at certain camps the victims were told to undress for showers, but were led instead to rooms where they were gassed to death. Bodies of men, women, and children were removed by specially assigned prisoners whose working units burned them—first in open fires, and later in crematoria built for that purpose.
Really, where is he talking about?! “Certain camps?” He’s afraid to name them lest he can then be proven wrong. “Were gassed to death in rooms” on the pretext of taking a shower? This has been convincingly debunked as atrocity propaganda. Then “burned in open fires.” Did he ever see such a thing? Of course not. No one has. And it doesn’t work either, humans don’t burn that easily. Hirt takes all this from books he has read, books by Jews, every one of them the result of rumors and motives of tribal revenge.
Sometimes inmates were deliberately starved. Those who became weak or ill were sent directly to be gassed. Some were killed in camp hospitals by injection directly into the heart. Others were hanged, beaten, or suffocated in tiny airless cells. Both planned and spontaneous brutality played a role in the treatment of inmates. They were ruled by other inmates, often former criminals imported from actual prisons, who imposed their rule by degradation, mutilation, and torture.
I categorically deny that any inmates were deliberately starved in any German/SS-run camp at any time. There is zero evidence of that except for tales told by surLIEvors, always based on what someone else said, never anything they saw or experienced first hand. Because victims of typhus (and some other diseases ) rapidly lose weight and body tissue, and become “skin and bones,” photographs of these victims have been used to accuse the camp authorities of deliberately starving them. The idea that inmates were kept on a starvation diet is completely false. The same goes for importing criminals from civilian prisons to boss over the camp inmates. The fact is, there were actual lawbreakers in some of the camps because they had been assigned to serve out their prison term there. But partisans and communists were pretty nasty dudes too. Any of the rare hangings that did take place were for cause, after the accused was found guilty of a serious offense. Injections through the heart is a rumor that has never been proven. Other camps were solely industrial labor camps for producing war munitions and other wartime needs, like the Auschwitz complex. I have yet to see any evidence that anyone suffocated in tiny airless cells, and I have studied it and written about it.
Certain camps combined labor and extermination, selecting incoming prisoners for one category or the other; the selections at Auschwitz were infamous. Those deemed capable of work or considered useful in (cruel) experiments were assigned to quarters in the camp. Others were immediately taken to the gas chambers. Families were separated forever in this process.
By describing the Holocost in such amorphous terms and dislocating it from the war, by using photographs doctored in the intelligence laboratories, by having the help of the major media outlets and Hollywood—that is how they succeed in keeping the public believing. (Not to mention indoctrination in schools to unprotected, inexperienced children, with fakers like Joseph Hirt coming to visit regularly.) And sorry, there were no cruel experiments being carried out – not even by Dr. Mengele! It is the writers of the surlievor books who have made “the selections at Auschwitz infamous.” In reality, at that place, those who could not work—all those women with children and elderly people—went to Birkenau with it’s numerous barracks where classes and programs, music and theater productions were available to help them pass the time. Some worked in the kitchens and the medical facilities. There were family sections for gypsies and other groups who were not desirable as workers. No one was exterminated. There were no homicidal gas chambers anywhere in the camp, only buildings for gassing clothing and mattresses.
Information about concentration camp behavior exists because of the sharing of details by a relatively small number of inmates who managed to survive. Soon Holocaust memories will be held entirely by those who were not there!
This is painful for him, the fear that “the Holocaust” will lose its power and influence without real surlievors to talk about it as eye-witnesses. But he admits it’s a small number who have given us these details. Not because the rest were killed but because not every camp inmate wants to lie about it, and the true story cannot be published. Jews own all the publishing companies. Plus, anyone who writes a different story is attacked and ostracized, Jew and non-Jew alike. We know now that Joseph Hirt was not there, but he added his voice anyway by copying what the others wrote. Who did they copy from?
“But whoever closes his eyes to the past becomes blind to the present. Whoever does not wish to remember inhumanity becomes susceptible to the dangers of new infection.”
This is said all the time, but it is false; it is sophistry. Plenty of humans, billions of them, have lived perfectly well in the present without knowledge of the past. Most humans make the same mistakes over and over again, and knowledge that we did it before doesn’t stop us from doing it again. Real learning comes only from an individual’s own personal experience, not from being lectured to. The world would be much better off if the holocost went down the memory hole.
I am seeking help from my pastor, who knows my heart and my intent. I am also consulting with a mental health professional to try to understand how I swerved off in my presentations in a direction that should not have been taken.
The pastor and the mental health professional is something Andrew Reid insisted on, but in fact, before his retirement, Hirt was employed as a school mental health professional himself, so he knows how the human psychology, especially in young people, works. I don’t see any change, in this letter, in his attitude that he is an expert on Holocost and should be listened to as an expert.
Hirt writes that he admired and was very influenced by Primo Levi; he read all Levi’s books and writings that were Holocaust-related. He modeled his own fabricated story on Primo Levi’s. It was Levi’s Auschwitz number, 174517, that Hirt had tattooed on his own arm – “as a symbol and way of remembering him” he says, except he got one number wrong. However, in the schools he passed the number off as his own! Of course, he was never questioned — that would be unthinkable!
Original cover of Primo Levi’s book in Italian, published in 1947.
Levi was an Italian Jew with a chemistry degree who spent 11 months in Monowitz where he worked as an assistant in IG Farben’s Buna Werke laboratory. Though he had a cushy indoor job, he complained about everything he could think to complain about in his book If this Is a Man (shown right) which he wrote in 1946. A German translation was published in 1961 in which he addressed the German people in a special preface written out of his need to remind them what they had done! (From his book of essays The Drowned and the Saved, Einaudi publishers, 1986, 170 pages)
In If This Is a Man, Levi alludes to “the gas chambers of which all speak” (p.49) but evidently he has neither seen nor met anyone who has seen these things. Then he asks “Is it true what one hears of selections, of gas, of cremation?” and he is answered only with a rumor that persons in the Infirmary who were in decline, who were not going to recover, would be sent to the ‘gas chamber.’ (p.46) That is the extent of Primo Levi’s knowledge of ‘gas chambers’ after one year at Monowitz.
Shortly before the Soviets arrived, Levi came down with scarlet fever and was hospitalized. Not being recovered enough to go on the march to the West, he was still there in the hospital attended by a Jewish doctor when the Soviets “liberated” the abandoned Auschwitz-Birkenau camp.
This is a picture of Paul Argiewicz used by the Wisconsin Veterans Museum but with no description. Considering he’s wearing a US Army cap it has to be from after 1950, which would make him over 25 years of age.
Remember Paul Argiewicz? He’s the guy I wrote about here because it’s widely claimed he’s in the Famous Buchenwald Liberation Photo, which he is not. But there are a lot of things wrong with the Paul Argiewicz story – claiming he is in that photo is just one of them.
Christine Miller has observed that being forced to believe holocaust survivor’s stories has made Western man irrational. Paul’s story is as irrational as any, especially when it comes to the simple act of adding together two-digit numbers. So let’s start there.
Paul’s date of birth is always given as Aug. 6, 1925 in Bielsko, Poland. He grew up using his mother’s name, Argiewicz, because his parents were not formally or officially married. The family included two older sisters. He told interviewers that he only went three and a half years to grade school. He was arrested in 1941 by his own reckoning, when he would have been 16 years old.
However, his story, wherever you look either online or in the book about him, states that he was age 11 at the time of his arrest by the Nazis, and in his own obituary written or approved by his family it says “he was arrested at age 10 by the SS for stealing bread for his starving family in the Jewish ghetto.” [The ‘stealing bread for starving family’ part is obviously fiction, but Paul was known as an emotional person who cried easily and liked to create as much emotional reaction in his listeners as possible.]
So what’s going on with this man? And with his family and biographer? Can’t they add? It’s apparent that holocaust survivors have become so complacent in believing anything will pass that they actually believe “anything will pass.” Even to the point that if you’re born in 1925 you can be 11 years old in 1941. Think about it. The year of Paul’s arrest is not always mentioned as it is here, but we all know the camps were liberated in 1945, and we know he turned 20 in that year. Precisely, he was 19 on April 11, 1945, four months shy of his 20th birthday … not 14.
Deanne Joseph Ebner (left) who wrote the book “Number 176520: The Story of Paul Argiewicz ”A Teenage Holocaust Survivor” appeared with Argiewicz in 2012 at Riverview School.
What makes this age imposture important enough for Paul and his biographer to try to slip it past most readers? The craving for attention. Paul separates himself from the crowded field of fellow “survivors” by billing himself as a “child survivor.” He describes himself as being still a teenager when he was released … which he was, even if just barely. But he wanted to be younger still … a child. And what is surprising is that he basically has gotten away with it! I have not come across anyone questioning the claim that Paul was 11 when he was arrested, even though he was born in 1925. [I notice he told the Wisconsin Veterans Museum interviewer on page 7 that he was born in 1933!]
Did anyone die midway in the six day train ride with no food/water? I’m by no means doubting, just asking a question. As someone has mentioned below, you CAN survive without water for about a week.
God forbid these young people should doubt anything said by a holy survivor, no matter how unconnected to reality. The “survivor” answered he didn’t recall any deaths. But the point being, we don’t ask questions – we’re ashamed or afraid to question – and it leads to utter nonsense.
After doing more than a bit of research into Paul Argiewicz, I’ve come to the conclusion that there is also a felt need by him to gain as much sympathy as possible from being a tender 11 years of age to avoid what may be legitimate questions about what he actually did during that 4-5 years in German camps. I’m quite sure that Paul was never starved nor even mistreated during his time in the camps. He was more likely quite the collaborator. The photo on his German drivers license dated June 1946, only one year after liberation, shows a healthy young man with no sign of having endured any trauma whatsoever. He’s wearing an expensive leather jacket or coat and looks untroubled and at peace with himself.
German Drivers License issued to Paul Angiewicz in June 1946. He was obviously living in Germany at the time and looking prosperous.
The same craving for attention also accounts for his willingness to falsely identify himself in the Famous Buchenwald Liberation Photo. Argiewicz named himself as the person 3rd from the left in the 3rdbunk up from the bottom in 2008, the same year his book came out. Everyone in that photo is self-identified, and it began after Elie Wiesel identified himself in it in 1983. Before that, no one was identified. After research by a number of people, including myself, it turns out the only correctly identified person is 16-year old Michael (Nikolaus) Grüner in the lower left. Even Argiewicz’ nephew, Murray Matzner, says his uncle is not in the picture, but excuses his uncle’s lies with the charge that he was under the influence of the woman who wrote the book about him, Deanne I. Joseph. Matzner wrote a comment at Scrapbookpages Blog in 2015 to a post that originally appeared in 2010.
It is obvious that my uncle Paul Argiewicz is not the person indicated in the photo. It looks nothing like him, and is in fact proved not to be him in his own memoir book photo on the opposite page where a drivers license photo one year later does not resemble this face at all. In particular, he did not have eyebrows that curved so far around his eyes.
The assertion that he is present in this photo was nonexistent until 2008, the year his memoir book was published. Since his ghost written book gets so very many facts and stories wrong,as the website associated with book sales also does, and stains a courageous man of integrity who is greatly missed because he is no longer with us, it appears that the false assertion is associated with the factually compromised book.
I have also seen a photo where it is the man one bunk lower, and to the left, a sleeping man facing away from the camera, who is indicated as my uncle with a vertical arrow.
I don’t know what it is with this photo. The individual indicated as Mr. Wiesel appears to have a receding hairline although a published image of him at age 15 prior to deportation does not have such a hairline. I believe that neither he or my uncle appear in the photo, and it appears to me that at least in the case of my uncle, that it was someone else pushing for him to be present.
My uncle was a wonderful, warm, caring, courageous, person who inspired so many with his exceptional love of life and people… but he isn’t in this photograph.
RIP, uncle. Your love lives on.
Comment by Murray Matzner — April 3, 2015 @ 1:03 pm
Okay Murray, except that Paul was photographed at one of his gatherings holding a blow-up of the famous photograph, indicating that he certainly wanted people to believe that he was in the picture. He, and maybe more so his wife Sheryl have been fully engaged in that fantasy.
Lucy Argiewicz Matzner (Paul’s “beloved” sister), her son Murray and husband Robert.
Murray’s father, Robert Matzner, (left) who married Paul’s sister Lucy, was born in 1926 in the same Polish town of Bielsko. He has written his own holocaust memoir, titled Prisoner 19053. I wonder how many falsehoods that book contains? Hopefully not as many as Paul’s. But I think Murray may be trying to keep peace in the family by blaming the falsehoods in Paul’s book on the author. Clearly, Paul’s wife Sheryl had a lot to do with the writing of the book, and the three are often pictured attending book-promotion meetings together.
* * *
After Paul’s death in December 2013, some controversy broke out on the Amazon book advertisement page among the “reviewers.” Specifically “BTI” wrote:
Every story in this book is documented in numerous recordings, CDs, and videos as coming from Paul Argiewicz himself – his face, his words, his voice. It is Paul’s account of what happened to him as a young boy in the Nazi concentration camps. Anyone who knew Paul, loved Paul, was inspired by Paul, and truly desires to protect the memory of Paul Argiewicz will boldly stand witness against the frauds of the world (be they Holocaust deniers, anti-Semites, or vindictive relatives). All of the above-mentioned records of Paul’s testimony will soon be posted online. Be watching. May the evil ones be silenced by their own arrogance.
Cindy Nicoletti, Paul’s stepdaughter, posted a “review” by Dave Kasiske. In it he revealed:
“I am blown away that Paul’s nephew would come out now after Paul’s death. He cannotsay the man in the picture is not Paul because the poor young Paul was probably close to death after experiencing starvation. Paul would say “Dave”, I can’t explain it to you how it was to cry at night because of starvation and never seeing my loved ones again.”
“Paul was always in tears when he told the story of his sister Lucy. Lucy is the mother of “Murray”, the one who is attacking Paul’s story. That brings the question to my mind, why would anyone who is Jewish go on a antisemitic spur? Even when I would sit with Paul at his kitchen table, the tears would flow when he talked about Lucy. Anyone who has the guts to attack a family member who survived the horrors of the Holocaust should seek psychological help.”
Yes, it takes guts indeed to stand up against holocaust lies, Dave. Maybe someday you’ll be able to do it. But now take a look at this from stepdaughter Cindy to see who is pushing Paul’s false story.
The owner of Sunless Expressions would like to recommend her stepfather’s book:
This famous photograph was taken a few days after the liberation of Buchenwald and appeared on the cover of a popular national magazine in the 1960s. Paul is pictured (circled) here on the third bunk from the bottom, the third person from the left (with his food bowl that doubled as a pillow).
Cindy, Owner and Founder of Sunless Expressions is the step daughter of a man with an astounding and miraculous life story. Paul Argiewicz was an eleven year old child in 1941 when he was arrested in Poland by two Nazi SS officers. His crime? Paul had stolen two loaves of bread to take to his starving family in the Jewish ghetto. Separated from his family and everything he loved, he would spend the next four years of his young life working as a slave laborer in seven different concentration camps. From Auschwitz to Blechhammer, Gross Rosen, and Buchenwald, Argiewicz; defied all odds by surviving one of modern history’s most unimaginable atrocities against humanity: the Holocaust. Sunless Expressions is proud to recommend Number 176520 ~ The Story of Paul Argiewicz, a Teenage Holocaust Survivor. With over 16 pages of full-color photos, original camp documents, and other visuals, Number 176520 has quickly become a highly revered and sought-after Holocaust resource in schools, bookstores, libraries, museums, and homes. Visit www.paulsstory.com to purchase and/or learn more about the book that has been inspiring countless readers around the world.
We regretfully announce Paul passed away December 11, 2013.
Paul’s last public appearance before his death was on April 29, 2013 at the U.S. Holocaust Museum’s 20th Anniversary Ceremony with speakers Elie Wiesel and Bill Clinton. Here he is photographed with his wife Sheryl and grandson Jordan, who are active in furthering the mythical version of his life. In another photo he is showing off his Auschwitz tattoo “176520,” as they were all doing that night (except for Wiesel, of course). Yes, they were there, but what they did or did not experience cannot be proven by a tattoo.
There are no excerpts available from his book at Amazon, but I found this one and am going to quote it in full here. It gives a good idea of the fictional style found in most holocaust survivor stories – no dates, times, names – the events, as they are, exist as if floating in space, but are meant to evoke as much emotional sympathy, shock and pity as possible toward the subject. Notice the similarities to Elie Wiesel’s Night, which must have been used as a model, for example when the fellow arrestee advises a confused Paul to say he is 18. However, Paul’s “ghostwriter” handled the impossible jump from age 11 to age 18 by having the SS man play it as a sort of joke. And since Paul says he spoke perfect German, that warmed the heart of the otherwise cold officer. The whole scene is a lie …
At Scrapbookpages Blog, the blogger wrote in March 2010: “Argiewicz says that he had an advantage because he could speak fluent German since his mother was from Bavaria, a state in Germany.” Of course, we know his mother and father were both Polish, and Ms. Joseph comes up with a different story: That Paul associated with Gentile youths when he snuck out of the ghetto every other night for a year (!) and learned German that way. But weren’t there Poles along with Germans outside of the ghetto? This is not explained, of course, but left to your imagination. Apparently a German baker and his children just loved little Paul and gave him bread and German lessons too.
Look how dishonest the book cover is. Paul was not a young child in the camps but 16 to 19 years old. He wasn’t even in Auschwitz except for 2 days, then, according to him, sent to Blechhammer, and spent the last 4 months at Buchenwald.
The preface to the book is written by our old friend, Professor Kenneth Waltzer, and in it he gives “historical documentation.” I would really like to see that. I should order the book and write more about this later; the only thing that stops me is that you and I both know there is no end to this stuff. One thing leads to another. So we’ll see, but for now, enjoy this excerpt. You will notice that not a single person has a name except Paul.
* * *
Deanne L. Joseph’s moving new memoir, Number 176520 –The Story of Paul Argiewicz, a Teenage Holocaust Survivor, poignantly recounts one child’s journey through the terrors. With a preface and historical documentation provided by renowned Holocaust scholar, Professor Kenneth Waltzer (Director of Jewish Studies, Michigan State University), Number 176520 is quickly becoming an invaluable resource for students of the Holocaust.
Following is an excerpt from the book:
Paul and his family lived in the ghetto for about a year. In spite of the dire circumstances, his boyish, adventurous nature remained. He removed the identification patch from his clothing and sneaked out of the ghetto [Sosnowiec, not Warsaw -cy] through an opening in the barbed wire fence. It was an act of defiance that would have landed him at the end of an executioner’s gun had he been caught, but somehow he was able to pull off this rite two to three times a week. [I don’t think an 11-year old boy would be allowed out alone at night by his loving parents, do you? Neither would he have been shot dead if caught.-cy]
Being the gregarious child that he was, he made friends with some gentile children on the “outside.” They did not seem to mind that he was Jewish, and some of their parents even tried to help him in small ways. The father of one of his new friends owned a bakery. The man’s sympathetic conscience obliged him to turn a blind eye, allowing Paul to steal freshly baked bread from his store twice a week. The ritual continued for a year. Sometimes the determined young scavenger managed to find potato peelsor other small provisions of vegetables and was always faithful to rush his smuggled goods back to his hungry family behind the fence.
Eventually, Paul became so comfortable in his excursions that he inadvertently lowered his guard and came face to face with disaster. Returning to his family with a pair of stolen loaves of bread, he was approached by two SS officers.
“Where did you get that bread?” they demanded. Paul had never been so close to the enemy. He stood, accused and frozen.
“Come with us!” The order was stern and curt. They snatched the bread from his hands. The pounding of his heart intensified until he thought it would surely break through his chest. He could barely breathe. He felt a hard, squeezing pressure on his arm — the grip of a Nazi. He had the sensation of walking very quickly, although he was unable to feel his legs. Were his feet touching the ground? Were they even moving? He heard only the sound of the officers’ boots clacking with each step on the hard street beneath their feet. His eyes burned as if on fire, and blurred images of his family flashed through his rattled brain. What would they think? Would he ever see them again? Were these men going to kill him? Paul fought to restrain the tears pooling in his eyes. He was only a child — his life was supposed to be ahead of him, not behind.
They arrived at their destination: an old schoolhouse that had been converted into a transitory evaluation and detainment center, the Durkankslager. He was taken downstairs to the basement, the “dungeon.” It was filled with people standing in lines. Everywhere were the familiar Jewish identification patches. The Nazis pushed him into place with the others. He looked around at the detainees, predominantly grown men. He did not see any other children in the crowded space.
An SS officer sat upright on a stool at the front of the room, one leg raised and bent at the knee with his booted foot confidently perched on a table. Behind him was a desk filled with papers. As each of the accused men made his way to the front of the line, he was questioned by the man on the stool, evaluated, and sent into a group either to the right or to the left. Paul was not sure why the men were being divided, but as he drew closer to the evaluating officer, he was overcome with a sense of doom. His mind fired rapid, disconnected thoughts. I’m only a child . . . perhaps if I tell them I’m only 11 years old . . . maybe they will have pity and let me go back to my parents.
Without warning, a man behind him in the line kicked the back of his leg. He leaned into Paul’s ear and spoke quietly but firmly.
“Don’t tell them your real age. Tell them you’re 18.”
How did he know what I was thinking? Paul wondered.
He arrived at the head of the line. No longer did anyone stand between him and the “judge.”
“Name?” “Paul Argiewicz.”“Age?” “Eighteen.”
The words rolled off his lips in perfect Bavarian German. The officer looked up. His dusky eyes examined the youth before him. His brow furrowed, and he observed the boy for a moment. Paul felt as though he had been suspended in space and time. The moment seemed to last an eternity. Surely, he was exposed . . . guilty . . . he had lied . . . to an SS officer! The penalty for such an offense was execution.
“You speak German?” The officer seemed amused. “Yes,” he responded once more in the language he had learned from his playmates.
“You speak with a Bavarian accent. Why?” “My mother is from Bavaria,” he lied again. For another endless moment, the man’s eyes pierced him. Paul was able to manage a convincing expression. Finally, the harshness of the Nazi’s sharply featured face faded, yielding to a smile and a chuckle.
“Go over there,” he said, nodding his head to his left.
Paul moved in the direction of the nod, but he did not understand the purpose of separating the men. Would he be sent to work or to the grave? None of the men seemed to know the fate that awaited them.
They remained in the detainment center for a few more days. Each day they were given small rations of bread and a cup of water. Paul allowed his mind to escape into a place of refuge and peace. He comforted himself with thoughts of his family, memories of good times they had shared, life in Phella’s beautiful home, and the hope that maybe he would soon be returning there.
In the corner of his eye, Paul perceived movement through a window in the damp stone wall. He turned his head to look through the dusty glass. Just beyond the tall barbed-wire fence, his father stood, his eyes scouring the room through the wire and glass. Noah’s eyes found Paul’s. His hand flew over his head waving to his son, his familiar penetrating eyes filled with longing. He held his hand still for a moment and then let it fall limp to his side. He stood motionless, his gaze fixed on his child. [This is a totally fictional account intended to create poignancy. Paul never saw his father through a window.]
Paul’s heart raced within him. An overwhelming urge demanded that he jump to his feet and run to the window. He dared not. To do so would jeopardize not only his fate but also now his father’s. Separated by brick and mortar, barbed wire and guns, and the merciless cruelty of the human heart, father and son looked upon each other for the last time. In that sacred moment, they knew that the bond they shared was beyond man’s reach; it was a bond protected and preserved in eternity. Still, the 11-year-old was overcome by the realization that he might never again feel the loving touch of his father’s strong hands or hear the sound of his voice.
On the cold, hard floor, Paul covered his face and wept. His father was gone. [End of excerpt]
This is the tattoo that, if seen by the public, will incite hatred for Jews, according to prosecutors and courts in Brandenburg, Germany. But why wouldn’t it incite sympathy just as well?
By Carolyn Yeager
In a Berlin court, a German man is convicted for having a tattoo resembling a concentration camp entrance on his body.
Why then is Elie Wiesel not convicted in Germany for not having a concentration camp tattoo on his body, but saying he does?
Wiesel was in Germany at least three times impersonating a “nazi” concentration camp survivor. His first visit was in June 1986 when he spoke in Loccum, West Germany as the author of the book Night, which he claims to be a record of his own experience. In Night, the main character is tattooed with the number A7713 on his left forearm, which Elie claimed under oath in California is still there on his arm. Apparently, no one in Loccum asked to see it.
He returned the next year in November 1987 and spoke in a modern conference center inside the shell of the destroyed Reichstag. The title of his talk was “Reflections of a Survivor” in which he, as in the prior year, couldn’t keep from speaking words of blame toward the German people.
On June 5, 2009 he was at the Buchenwald Memorial outside of Weimar, accompanying the President of the United States and the Chancellor of Germany in the guise of a former resident of the camp. I know this for sure because I was in Dresden on this very day and watched it on German television.
Elie Wiesel’s left arm in bright sunlight, taken from his video “Elie Wiesel Goes Home”
Elie Wiesel’s main authentication for being interned at both Auschwitz/Birkenau/Monowitz and at Buchenwald is the tattoo A7713 which matches records for a Lazar Wiesel from Sighet. Elie says he has it on his arm but he has never allowed the public to see it! He does not confirm his claim by showing his forearm, as do so many survivors – the very survivors he claims to be one with.
Yet on some occasions he’s been photographed with short sleeves and there is no tattoo visible on either of his arms. This is absolutely incredible, right? That the world’s most famous holocaust survivor is in truth “the emperor wearing no clothes” … the “elephant in the living room.” The world media say nothing because they can’t—they pretend not to notice and hope you do the same.
To get to the point
But why is Marcel Zech, a 27-year old town council member representing the National Democratic Party (NPD) dragged into court and convicted of sedition and inciting hatred because of a tattoo on his lower back that no one would normally see anyway … while Elie Wiesel comes to Germany at age 57, 58 and 81, and with great publicity misrepresents himself as an Auschwitz and Buchenwald concentration camp survivor with the tattoo A7713 on his arm that he doesn’t have, and the German Justice system doesn’t even notice.
I demand that German prosecutors investigate Wiesel’s claim to have a tattoo, and bring charges against him when they find he doesn’t have one, never did have one—charges of defrauding the public and of inciting hatred against Germans as a people.
Let’s take a look at the “crime” of Marcel Zech. According to the photo taken at a pool party, Zech’s tattoo (see image above) is the likeness of a structure that resembles the entrance to the former Birkenau Camp in Poland but there is no name identifying it as such. Under the image are the words Jedem das Seine in large gothic-style letters. Jedem das Seine translates as “To each his own” and was on the gate of the Buchenwald camp entrance, not at Auschwitz or Birkenau. So what is the connection, what is the message?
I would say there is no message since the image and the phrase don’t go together in the “holocaustian” sense. Is it illegal in Germany to use the words Jedem das Seine? Can’t be.1 Is it illegal in Germany to post or publish an image of the entrance to Birkenau? No, because it’s done all the time, especially by Jews. So what is the problem with Marcel’s tattoo?
The problem is that he is an office-holding member of the NPD, which the federal government in Germany is currently trying to ban. Yes, ban it as a political party. It has been a German political party since 1964!
On the other hand, Elie Wiesel is a Jew, and Jews are never investigated for anything in Germany, let alone found guilty of something. Have you ever heard of it? I did an internet search and came up with nothing.
State prosecutors had demanded that the accused [Zech] be sentenced to 10 months in jail without parole because, according to DW, he seemed to be “a politically motivated criminal, who had trampled on the core values of the German constitution.” What are the “core values” of the German constitution?
Consulting the German Basic Law (constitutional law), I come up with a few:
Art. 3: No person shall be favored or disfavored because of […] political opinions.
Art. 4: … freedom to profess a religious or philosophical creed, shall be inviolable.
Art. 5: Every person shall have the right freely to express and disseminate his opinions in speech, writing, and pictures.
But then there is also Article 139 [Continuing validity of denazification provisions]:
The legal provisions enacted for the “Liberation of the German People from National Socialism and Militarism”shall not be affected by the provisions of this Basic Law.
Get that?–The German people were liberated. At least we know that Germany is still functioning under the 1945 Military Control Council of Supreme Commander Dwight Eisenhower. Not much progress there.
But back to Elie Wiesel: What is the law against impersonating a concentration camp survivor? It appears there is none. While it’s a crime to minimize the “Holocaust”, it’s perfectly okay to maximize it. Lying about the Holocaust by adding to the narrative is fine; just don’t take anything away from it. Not when you’re in Germany.
[By the way, the Deutsche Welle story repeated a falsehood from a previous story when it said that Buchenwald was “the Nazi regime’s largest death camp.” Buchenwald is not considered to be a “death camp” even by holocaustian historians. Martin Schultz was using the occasion of a 70th anniversary to advise that because of Buchenwald, Germans were obligated to welcome refugees.]
1. From Dictionary.com: One has a right to one’s personal preferences, as in I’d never pick that color, but to each his own . Versions of this maxim appeared in the late 1500s but the modern wording was first recorded in 1713.
If Elie Wiesel’s supporters want us to believe he has A7713 tattooed on his left arm, THEN SHOW US THE TATTOO!
This is NOT a tattoo.
And I can prove it.
All we can see is a faintly darker area on an arm that looks like it could be a tattoo, and it is situated where an Auschwitz tattoo would be, but we can’t make out any definite shapes, let alone numbers. So how are we to tell? It is nothing but a tease.
If it were an Auschwitz tattoo, it might not be the number A7713. That would be a very good reason for Wiesel not to show it to the public – his entire story would be destroyed.
It’s also necessary to find the original photograph to discover if the gray mark is on the original – on the negative, say. At the USHMM website, I was shown only 3 pictures (all of which I have on this website) from my search of “Young Elie Wiesel,” and “Elie Wiesel in France.” Those three did not include this one. Why wouldn’t the USHMM, that owes it’s founding to Wiesel, want to have this picture in its collection? It cannot easily be found at Yad Vashem or the Auschwitz Museum websites, either. Why is Loupi Smith the only person who has come up with this controversial image?
I think this picture was taken in the summer of 1945, in France, since it matches another photo of young Wiesel identified by the USHMM as taken in France in 1945. If Wiesel just arrived from Buchenwald as a scrawny, starved, traumatized kid whose head was shaved clean only a few months before, as we see in the Barracks picture taken in April 1945 that he claimed in 1983 to be himself, then this photo of a healthy, well-fed, smiling boy with long hair doesn’t fit the EW narrative, does it? Is this why no one wants this picture to be circulated? I think that’s a very good explanation. Heidi, take note.
There is no official archive of photos of Elie Wiesel that documents his life. Why not? I think it’s because Elie can’t be pinned down – his story is fluid. Even details in his book Night, first published in 1960, were revised by his wife in 2006! As with this picture, some photos of Wiesel contradict the story he is telling, as well as some things he said in the past contradict what he is saying now — and even what he said then. That is why everything to do with Elie Wiesel is in such disarray. And that is why he will never answer questions except in a “pretend-mode” with friendly Jews who are willing to accept whatever he says, no questions asked.
This IS a tattoo.
And this is the way pictures of Auschwitz-Birkenau survivors should be taken, with a face connected to the arm. With real tattoos, even when faded, they are recognizable as numbers.
And consider that this man, Sam Rosenzweig, appears to be the real deal, is quite old and yet his tattoo is easy to read. Yet Wiesel in the photo above is only a little over a year from the time he ostensibly received his tattoo, and what we see is very faint and unreadable.
Now here is a sure-fire way to prove it to yourself. To enlarge this page without losing sharpness, hold down the Ctrl key on the lower left of your keyboard and hit the plus (+) key on the upper right (next to Backspace; do not bother with Shift) several times until the page enlarges to where it won’t enlarge anymore (seven enlargements for me). Now you can see what these magnified “tattoos” on Wiesel are made of – a shadow or skin discoloration, or maybe a little dishonest smudging, either on the photo or on the arm. But it’s clear there are no distinct numbers. Just hit Ctrl and the minus (-) key to go back to your normal page resolution.
This is NOT a tattoo.
When enlarged in the way that I recommended above, it is perfectly clear that it is not. It also doesn’t go straight across on his arm like on the top picture. but goes downward just a bit.
So please don’t rush to accept suggestive images as proof of anything, without some further search. In other words, don’t be an easy mark, a gullible non-thinker. If you have an interest, for whatever reason, in pushing the holocaust story, then, sure, you will grab onto anything that comes along … like these photographs. And no questions asked. That’s what Elie Wiesel buffs love – they love people who don’t ask questions.
Image uploaded by Loupi Smith to convince people that Elie Wiesel has a tattoo on his left arm. But why is the picture cropped on the right?
I received a letter from “Heidi” and I was a little uncertain whether it was real or not. I have now decided that, unfortunately, it’s for real. But oh my, then we have another instance of a racial brethren who has fallen under the spell of the Elie Wiesel “Con.” Wiesel has an industry behind him that assures massive support for “his story” … or his version of history.
In all her good-hearted but overdone and misdirected sympathy for the sufferers of the world, Heidi becomes nothing more than a brainwashed tool, who is fooling no one but herself.
I wrote back calling her a “brainwashed Canadian,” which she took as an insult, mainly because to her way of thinking it separated us as Canadian and American – different – when in reality we have common ancestors. She may think that is bad, but it’s really much worse. Here is her letter to me; my commentary follows. And I would like to hear comments from the readers too. What do you think?
3 November 2015
I’m reading Wiesel’s book, Night, for the 2nd time, in French. I have never read it in English, as there were no English copies available at my library. I strongly encourage you to interview Wiesel about the questions you have. I believe he would be more than willing to be interviewed—I just can’t see him turning it down, unless if you were to attack or accuse him, I suppose…that would make anyone feel uncomfortable, you know? After all, he is human, and so are you, so I just don’t see how it couldn’t work. I would be curious to know what he had meant by the “silent/mute blue” he saw in the fire. To be honest, I was quite refreshed by his book that it’s the first time Nazis/SS are differentiated from the German people (I’ve read the comic book, Maus, by Art S, which never attacks Germans either) I think it would be important to ask him why he doesn’t hate Germans. I’m sure he’d be able to explain that question—I have my guesses, but I don’t know the real reason. I have a feeling he’d show you his left arm, if you were to ask him; I looked it up—apparently, it’s there—just faded: (now, you maybe won’t like me! :P )
I think that a major issue is that the world didn’t know just how bad things were in Germany after WW1. Things just got worse and worse. The poverty was very bad and traumatizing—a lot of men were killed as soldiers, often leaving behind poor widows with a ton of kids to feed. Certain German children did a lot of child labour, picking potatoes in their bare feet, just to eat. Unfortunately, there was no social aide, so anxiety and fear became a way of life for a lot of people. Of course, I wasn’t there, but I would never have wanted to be, as things just got worse and worse. Nonetheless, not all German kids were poverty-stricken if they were lucky enough to have been born into wealth. The problem was to actually find a job, with the economy being so bad. Good jobs simply couldn’t be found…
I think it’s worth a try to contact Wiesel.
Heidi (last name withheld, but it’s German)
First, Elie Wiesel is 87. He hasn’t made a public appearance for a couple of years. Is our Heidi aware of that? Probably not.
Even when much younger, Wiesel only allowed interviews when very strict ground rules about what can be asked, and what not, were laid down in advance. It is rare, if not never, that he allows any interviewer, Jew or not, to ask him any non-softball questions. Is Heidi aware of that ? Probably not.
On this website, I have already attacked and accused Wiesel of many things, mainly pointing out the many lies he has told. He has made no attempt to answer any of it. Has Heidi read most of what is on this website? Surely not. She has read the sidebar with the Wiesel Quotes, and the title. She wants Wiesel to explain what he meant by the “silent, blue sky” at night – she’s sure he can. But Heidi, Wiesel didn’t write that he saw the blue sky in the fire, as you say, but that the fire was burning under the silent blue sky … at night. Please keep things straight — one thing I can’t tolerate is sloppiness when talking about Wiesel.
Heidi compares the Jewish book “Night” to the Jewish comic book, “Maus,” by Art Spiegelman, and admires them both because they “differentiate the SS/Nazis from the German people,” she thinks. But they don’t. Elie Wiesel has famously written, “”Every Jew, somewhere in his being, should set apart a zone of hate — healthy, virile hate — for what the German personifies and for what persists in the German. To do otherwise would be a betrayal of the dead.” He also thinks it is perfectly proper and even necessary for ordinary Germans, 70 years after the war ended, to continue to supply “survivors” and Israel with billions more euros … money these innocent Germans are taxed for. But Heidi doesn’t stop to think things through. If she would read more of Wiesel’s writings than just “Night,” she would learn far more about the real nature of the man. If she would read everything on this website, she would really learn about him.
Wiesel has also said that he will never knowingly be in the same room with a holocaust denier! He wants nothing at all to do with them. I am not only all German, but a holocaust denier. So how would he give me an interview?
Heidi makes a distinction between German and Nazi, but I do not. She will say, “Oh, no, not anti-German, but anti-Nazi.” In a second letter that I received from her she told me about her grandmother’s life in Germany right after the war and said of her family, “They weren’t Nazis.” I say, too bad, what were they then?
Same setting as feature photo – here we see more of his arm, but when enlarged it is nothing but a shadow.
Loupi doesn’t give a source for this photo. Where else can it be seen?
About Wiesel’s left arm, she sends me to the page put up by Loupi Smith, a notorious Jew who probably photoshopped the b/w picture of the young Wiesel (right). If you zoom in on it, nothing that looks anything like numbers shows up. And where was it taken? We have seen plenty of unretouched pictures of Wiesel’s arm where nothing is visible. As to the color photo of the older Wiesel (above) – I have for some time had this small b/w version (above left)* that shows more of his arm, and the darker smudge turns out to be nothing but a shadow. Absolutely – it is not a number. To prove Wiesel has a tattoo, Loupi has to do better than this. And so does Heidi. For instance, a quality magnified view that shows A7713, not just a smudge. Maybe a bit of cooperation from the tattooed person himself would help. Because all the evidence points to the fact that he took another man’s number for his own after the war. The evidence of his handwriting is also conclusive.
[*These two photos also show that a professional photographer was at work — these are not just casual shots of Elie reading in his office! They are staged.]
The world today (at least anyone who has any interest in it) does know how bad things were in Germany after WWI. That information has been widely disseminated. Most people have sympathy for the Germans of that time. But Heidi wants to equate the suffering of the Germans after WWI with the suffering of the Jews during WWII. Jews, however, and Elie Wiesel in particular, will never go along with that! Why doesn’t Heidi have anything to say about the even worse suffering of the Germans after WWII?
Heidi got even more carried away in her second letter:
My grandmother suffered terribly from the poverty in Germany after the 1st war—she was only a year old when her father died as a soldier in 1914, and her mother was left with many children to take of, all on her own, as NO social assistance was available at that time. My Oma had no shoes. She picked potatoes in her bare feet for Jews. You could never possibly understand such suffering, could you? Where were you during that time?
Where was I? Just like Heidi, I wasn’t yet born! How old does she think I am?
I advised Heidi to write to Elie herself and get her own interview — if she thinks it is possible that such a request would even get to him. She answered that she did intend to write to him at his Foundation, a kind of a fan letter, but she didn’t expect to receive a reply. She said:
My only intent would be to express the empathy I feel for all that he suffered. We are all humans, are we not? I believe that he wrote the book while experiencing dreadful pain of those horrible memories, done by war criminals, not the common German citizen of that time. He is very intelligent and well-educated—a special person to me, as he understands human suffering on a very deep level.
Heidi, in her high-mindedness is deeply ignorant. In the photo above right, probably taken in 1946, Wiesel looks mighty healthy and confident. He did not suffer; he made other people suffer. Those who ran the concentration camps were not “war criminals” and were not different from the common German citizens’ like her family, who she pointed out were “not Nazis.” And Wiesel was not well-educated – he was barely educated, except by an odd assortment of rabbis. His doctorate is “honorary.” So she strikes out all the way around. Our Heidi is just another brainwashed German who bows down to kiss the feet of the Jews, thinking that it will be appreciated and everything will be made right thereby. After all, we’re all humans, aren’t we? ~~
In this video, Nikolaus or Miklos (Michael) Grüner is being interviewed by the Modesto (Calif.) Bee while the photographer films him pointing out the tattoo on his left arm. This is shown in the very beginning of the video; right after that we see the famous “Buchenwald Liberation” photograph we’ve become so familiar with, and 16-year-old Grüner is in the lower left hand corner. Is Elie in the photo? No.
In 2008, Grüner traveled to California from his home in Sweden. While there, this very important bit of video was produced but has not been given the attention it deserves. I wonder why. Notice I didn’t form that as a question since I think the answer is apparent: If Grüner has a tattoo, why doesn’t Wiesel?
According to Elie Wiesel, he and his family were deported to Auschwitz in the same time period that Grüner and his family were–in May/June of 1944. They both tell a similar story of arrival at Auschwitz-Birkenau, the men being separated from the women whom they never saw again. After a period of adjustment, they were transferred to Monowitz-Buna where they lived and worked until January 1945, when both say they were transferred to Buchenwald. They also both say in their respective books that they were given a tattoo on their left forearm while at Birkenau – Wiesel the number A-7713 and Grüner A-11104.
Gruner’s tattoo looks like a real tattoo to me. It looks very similar to the one in this picture at right of Sam Rosenzweig’s arm, which I have posted previously and is the best example of an Auschwitz tattoo I have found. According to George Rosenthal, writing for the Jewish Virtual Library, and accepted by the USHMM, Sam’s tattoo represents the “regular” series of numbers used at Auschwitz from 1940, while the “A” series was first issued in May 1944.
So we have evidence from Grüner and the photograph above of what Elie Wiesel should have on his arm, but doesn’t. There is no point in “Wiesel Believers” continuing to make excuses or look for reasons why their hero Elie won’t come clean about his bare arms. We know he has no tattoo where it is supposed to be … or anyplace! Just look at the top of this website. Or the photo below … from the 1996 documentary film “Elie Wiesel Goes Home.” We see his left arm in bright sunlight; clearly there is nothing on it. In the film we can see his right arm too, many times, which also has nothing on it. What more is there to be said? It’s a slam-dunk, and there is nary a word coming from the Wiesel camp about it. Isn’t it about time? Yes, but nothing happens unless people demand it.
Remember, on March 25, 2010 at the University of Dayton, a student asked Wiesel if he still has his concentration camp number and if it serves as a reminder of those terrible experiences. “I don’t need that to remember, I think about my past every day,” he responded. “But I still have it on my arm – A7713.
Robert A Brown, President of Boston University (Wiesel’s employer) wrote to me on Sept. 27, 2010, after receiving all this evidence, “I have no doubt that he is a survivor of the Holocaust and … a man of integrity and would not stoop to fabrication.“
Today, May 1st, Elie Wiesel Cons The World received the 17th comment on the blogpost “Is Elie Wiesel a perjurer?” This is the most comments for any article posted here except for our very first “Welcome” blog .
Six ‘believers’ were disturbed enough by this article to write a comment scolding us for it. This tells me that the idea that Elie Wiesel does not have a tattoo, yet says he does, is the most worrisome issue for believers. They get angry when faced with the proof that Elie Wiesel tells lies. They have no way to talk around it.
Realizing this, I am re-posting that article with some added material which I have put in brackets . This version of the article should be circulated as widely as possible to the mainstream media and mainstream commentators by those of you who want to see some action on this.
Written on August 24, 2010 at 10:01 am, by Carolyn Yeager
Elie Wiesel stated under oath while giving testimony in the trial of Eric Hunt in San Francisco, California in July 2008 that the number A7713 was tattooed on his left arm. (see Where is the Tattoo?)
Wiesel should have been asked to show his tattoo to the court at that time, but he wasn’t. This was a failure of the defense, for sure. But obviously, at that time, Mr. Hunt, the defendant, was not questioning whether Elie Wiesel had been an inmate of Auschwitz-Birkenau.
Since then, Mr. Hunt and others have uncovered video photography of Wiesel’s bare left arm from all angles, leaving no reasonable doubt that no tattoo is there. Backing up this conclusion is the fact that Wiesel has also famously refused to ever show his tattoo when requested to do so. For those who will retaliate that Wiesel may have had the tattoo removed, he said as late as March 25, 2010 that he still had the number A7713 on his arm. (see Where is the Tattoo?) [In September or October 2012, AP reporter Verena Dobnik wrote in a published news report that Elie Wiesel showed her his tattoo during an interview. Wiesel has never denied the story.]
From this, the average man on the street would probably agree that Elie Wiesel has committed perjury (a criminal offense) if he does not indeed have the number tattooed on his arm. The law, according to http://www.lectlaw.com/def2/p032.htm, says:
When a person, having taken an oath before a competent tribunal, officer, or person, in any case in which a law of the U.S. authorizes an oath to be administered, that he will testify, declare, depose, or certify truly, or that any written testimony, declaration, deposition, or certificate by him subscribed, is true, willfully and contrary to such oath states or subscribes any material matter which he does not believe to be true; or in any declaration, certificate, verification, or statement under penalty of perjury, willfully subscribes as true any material matter which he does not believe to be true; (18 USC )
In order for a person to be found guilty of perjury the government must prove: the person testified under oath before [e.g., the grand jury]; at least one particular statement was false; and the person knew at the time the testimony was false.
[Under the law, Elie Wiesel did knowingly lie to the court about a tattoo on his arm.] However, in practice, the question of materiality is crucial. Perjury is defined at www.criminal-law.freeadvice.com as:
the “willful and corrupt taking of a false oath in regard to a material matter in a judicial proceeding.” It is sometimes called “lying under oath;” that is, deliberately telling a lie in a courtroom proceeding after having taken an oath to tell the truth. It is important that the false statement be material to the case at hand—that it could affect the outcome of the case. It is not considered perjury, for example, to lie about your age, unless your age is a key factor in proving the case.
So the question becomes: Was the status of Elie Wiesel as a survivor of at least a seven-month incarceration at Auschwitz-Birkenau in 1944-45, in which case he would certainly have been tattooed on his left arm, as he states himself, material to the guilt or innocence of Eric Hunt in light of the charges that had been brought against him? Certainly, Eric Hunt, not long out of college at the time and who had been assigned to read Night in school, had come to doubt the truth of Wiesel’s assertions and descriptions in the book, and believed that if he could confront Wiesel alone, unguarded, he could convince him to tell the truth.
Does the suspicion that Wiesel necessarily lied in his book Night about what he saw and experienced at Auschwitz-Birkenau because he lied about the existence of a tattoo which he has always claimed as proof of his credentials as an Auschwitz survivor, exonerate Eric Hunt from some of the charges brought against him by the State of California? Is it material to the case? Perhaps not, but it does show cause for Eric Hunt’s desire to speak to Elie Wiesel in an unguarded moment, which was what he was attempting to do.
[I have changed my mind about this materiality issue. Whether Wiesel has a tattoo or doesn’t is very “material” to whether his “protected status” as a holocaust survivior gives him the right to avoid questions by the public, such as Eric Hunt was seeking to ask. Wiesel admits he was not harmed in any way by Hunt, but only frightened for a moment — this hardly warrants a charge of kidnapping against Hunt, or for Hunt to be found guilty of “assault”, and even more, of being guilty of a “hate crime,” which is a felony. Without the “hate crime” attachment, Hunt would not now be burdened with the legal status of felon.
If Elie Wiesel is lying about having a tattoo from Auschwitz on his arm, it is Elie Wiesel who is guilty of spreading hate (against Germans collectively, and yes, against Eric Hunt), and has been doing so since 1960 when his book Night was first published. Eric Hunt was therefore trying to stop the hate by trying to get the truth out of Elie Wiesel.]
If Elie Wiesel cannot be legally found guilty of perjury because of questions of materiality, he will certainly be guilty of perjury in the eyes of the public if he does not produce the famous tattoo A-7713 on his arm—the sooner the better. We are waiting, Mr. Wiesel.
”Auschwitz survivor Sam Rosenzweig displays his identification tattoo.” From Wikipedia According to the information below, this man was in the “regular” series—numbers not preceeded with a letter of the alphabet. Note also that the tattoo is on the outside of the left forearm.
This is the best looking tattoo I could find on the Internet. If you want to have your faith in the Auschwitz Holocaust story badly shaken, google “Auschwitz tattoos” (or any variation thereof) – Images, and see what comes up. Frightening! Of the little that is there, most look like the numbers are way too big, and you find the same few people exhibiting their specimen.
[It should be noted that Auschwitz-Birkenau was the ONLY camp that tattooed its inmates. It was a decision by the camp authorities, not by the SS hierarchy or Adolf Hitler. It probaby came about because of the large number of inmates at Auschwitz-Birkenau-Monowitz and their tendency to give false names and trade places with one another.]
However … George Rosenthal, Trenton, NJ, an Auschwitz Survivor, has written an “authoritative” account at Jewish Virtual Library based on “documents” obtained from The United States Holocaust Memorial Museum. (Sorry, no pictures here either, or on the USHMM website. Elie Wiesel was a major driving force in the creationof the USHMM; why didn’t he volunteer his tattoo to be pictured on their website as an example of what a genuine tattoo looks like? Why does the USHMM have no images of a tattoo?)
Mr. Rosenthal writes:
The sequence according to which serial numbers were issued evolved over time. The numbering scheme was divided into “regular,” AU, Z, EH, A, and B series’. The “regular” series consisted of a consecutive numerical series that was used, in the early phase of the Auschwitz concentration camp, to identify Poles, Jews, and most other prisoners (all male). This series was used from May 1940-January 1945, although the population that it identified evolved over time. Following the introduction of other categories of prisoners into the camp, the numbering scheme became more complex. The “AU” series denoted Soviet prisoners of war, while the “Z” series (with the “Z” standing for the German word for Gypsy, Zigeuner) designated the Romany. These identifying letters preceded the tattooed serial numbers after they were instituted. “EH” designated prisoners that had been sent for “reeducation” (Erziehungshäftlinge).
In May 1944, numbers in the “A” series and the “B” series were first issued to Jewish prisoners, beginning with the men on May 13th and the women on May 16th. The “A” series was to be completed with 20,000; however an error led to the women being numbered to 25,378 before the “B” series was begun. The intention was to work through the entire alphabet with 20,000 numbers being issued in each letter series. In each series, men and women had their own separate numerical series, ostensibly beginning with number 1.
According to this, since there was never a “C” series, the maximum number of prisoners that could have been tattooed after May 1944 was 45,378.
Under “Notes” at the bottom of the page, four books are listed, all by holocaust historians. Are these the “documents” referred to? It also says Source: Center for Holocaust and Genocide Studies at the very bottom of the page, as if referring to the entire page. This Center is located at the University of Minnesota. The affiliated faculty reveals mostly Jewish names.
I report all this because I’m looking for authoritative sources for the exact placement of the tattoos on the left arm, but one doesn’t find that answer even at the Auschwitz-Birkenau Memorial Museum. Why all the uncertainty? Could it be because so many pseudo-survivors have tattooed themselves in unusual ways and places, and the authorities don’t want to nullify their legitimacy?
This website makes use of some non-original copyrighted material. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. For more information Click Here