Where is Elie's Tattoo?
Elie Wiesel has told us for over 50 years that he was tattooed at Auschwitz in 1944, and that his tattoo number is A7713. He has repeatedly said that he still has this original tattoo on his arm. Just last March in Dayton, Ohio, Elie met with the press, high school and college students, and 2300 members of the local community. As reported in the Dayton Daily News , one student asked Wiesel if he still has his concentration camp number and if it serves as a reminder of those terrible experiences. "I don’t need that to remember, I think about my past every day," he responded. "But I still have it on my arm – A7713. At that time, we were numbers. No names, no identity."
Posted on October 1, 2016 at 11:43 am
By Carolyn Yeager
Bild, Germany’s most popular tabloid, has reported on a new memoir by yet another holocaust surlievor, the “world-famous” artist Yehuda Bacon (not be be confused with Yehuda Bauer of Yad Vashem). Yes, Bacon is the surname of this Orthodox Jewish man, apparently honestly come by in case you’re thinking it’s a bad joke.
Bild informs us the memoir is comprised of a series of conversations between psychologist and author Dr. Manfred Lütz and the the subject. That means Bacon is not capable of writing it himself. A part was previewed in Bild, and that inspired a hack writer to produce the sensationalized article that appeared in the Daily Mail Online. The Daily Mail is a British tabloid, pretty much the equivalent of Bild in Germany. Holocaust stories are fodder for tabloids – they love and can’t get enough of them.
I’ll start with the Daily Mail – to keep you reading, because there is a lot more to this story. Their headline was “Mengele WHISTLED Mozart as he selected victims for gas chambers, reveals survivor.” Cute, huh? I’m not sure we’ve heard that one before.
It begins: “The callousness of one of Auschwitz’s most gruesome officials has been revealed by a survivor … who was only 15 when he watched his father be taken off to be killed.”
“Mr. Bacon said: ‘He must have loved Mozart, because if he was bored during the selection he always whistled Mozart.’”
Would this 15 year-old even recognize a Mozart melody, let along be always around when Dr. Josef Mengele was going through the alleged selection process, which supposedly took place often and in various places around the camp? In fact, we are to believe this 15 year old had such a close relationship with this Nazi that he even knew why Mengele whistled. He was bored.
I was more than skeptical of this, but I did find that Bacon may have been one of the teenagers who later dubbed themselves the “Boys of Birkenau” —orphaned boys who allegedly persuaded Dr. Mengele to add them to the “able to work” list. There will be more about this later, showing that Yehuda’s connection with Mengele may possibly have existed, but was limited.
Would he know Mengele’s moods and habits? I’m sure not. But in order to boost his bonafides, Bacon also said of Mengele: “He was always correct, he never beat us children” —slyly implying that others did, or that the doctor might have beat adults. In reality, Mengele was a very kind man whose role at Auschwitz truly was to keep the camp and the people in it free of disease. He did not make all the ‘selections’ that suvlievors attribute to him.
The Daily Mail article was short, it’s purpose only to feature the “whistling Mozart” scenario which supports the popular theme that the Nazis were superficially-cultured barbarians, and German culture is suspect. If you think people are too smart to fall for this, just read the comments following the article. A Londoner wrote: “Oh god, I whistle all the time, never again after reading this …..”
The Bild interview
Turning to the Bild article, they actually write that the 15-year-old Bacon “toiled in the crematoria of Auschwitz.” What? That’s the same thing Bild wrote about Joshua Kaufman! Nonsense, and shame on Bild (though they have no shame). There is nothing said about that in the portion of the interview Bild published. I copy only a couple excerpts.
Manfred Lütz: How was the end in Auschwitz?
Jehuda Bacon: On night of January 18, 1945 we had to take everyone who was left there. Some tried to hide, because it was clear: This is the end. Now the Russians are coming. We heard the guns from a distance. All had to join in … we even got a loaf of bread for the way and we waited until all were there.
Then we went out. That I still clearly remember, and exactly as we marched off, the crematoria were blown up. We could still hear these sounds and saw it too. Then we went two or three nights without a break until the Blechhammer camp.
Lütz: That was almost 100 kilometers, day and night, without sleep?
[Me: He was very right to question that. It is not possible to walk in freezing weather without sleep for two or three (which is it? – makes a big difference under those circumstances) nights. What really happened is that they walked at night and rested/slept during the day to keep out of sight of enemy planes.]
Bacon: Day and night without sleep. This is very hard. If you do not eat, if you do not sleep, when it’s so cold, if there is a lot of snow, then one becomes weaker with time. And that is a fight for survival. It’s hard to describe such a fight. But you can, if you have to.
[No, you can’t, for he then describes all those who “were shot because they couldn’t keep going.” In any case, Dr. Lütz lets it pass. Bacon also tells a story of the stereoptype ‘inhuman’ SS officer, similar to what many others have, including Richard Stashevsky.]
Bacon: Yes. Mauthausen was actually an entirely different stock, it was originally intended for political prisoners. But now it was already half messy here. The remains of Auschwitz came to Mauthausen, but also Hungarian Jews, even from a good background, women with fur coats and all.
I saw the Hungarians who arrived and were still dressed beautifully with rings that had not yet been taken. They gave a ring for a glass of water, so thirsty were they.
And a picture that I can not forget: There was a trolley on which containers were transported (vessels in which one normally collected waste), and it was a soup, really just water with maybe two potatoes. And now this trolley drives along and it shakes a bit, so this water-soup spills out and the drops flow together with all the dirt in the corner of the trolley. And so a prisoner comes with a small vessel and succeeds in collecting these few drops.
And since an SS man sees it and thinks it is stealing, he takes him and shoots him before a pit.
[Details? Are there any witnesses? Is anyone named? Never. This fictitious event takes place in a vacuum and is therefore a defamation against the SS.]
Bacon also claims the bread was poisoned by the SS, but for what reason I could never figure out. This is the quality of Yehuda Bacon’s “memoir.” Who is this man, Yehuda Bacon?
Yehuda ‘s biography
Yehuda Bacon personifies the show-biz and easy life of holocaust survivorship, living as a “highly praised artist” even though he has no talent and his paintings and drawings are devoid of any artistic merit. Because he was “in the camps” in his youth, he has been able to tell tall tales about what he saw and experienced there, drawing and painting images of “horror” that occurred only in his imagination – afterwards.
Yehuda was born into a Hasidic (Orthodox) family living in the city of Ostrava (Czechoslovakia) in July 1929 – making him 10 months younger than Elie Wiesel, also born into a Hasidic family. Bacon is now 87. Though he has been well-known since 1945, details about his family are missing. His parents are never named, only his sister is given a name—Hanna. Was their surname really Bacon? That isn’t a Czech or Jewish name; it’s actually, as far as I can discover, Germanic-Norman-English, so one wonders what the family name really was and how he came to use Bacon.
His family was sent to the Ghetto Theresienstadt in the fall of 1942 when Yehuda was 13 years old. It was a town southeast of Brno in Moravia that the Germans turned into an experimental “model Jewish settlement” for educated and accomplished Jews. Because of the pleasant living conditions and many cultural activities, holocaust propagandists have invented terrible things that purportedly went on there. A film titled “Terezin: A Documentary Film of the Jewish Resettlement” (translated) was made by the National Socialists showing a comfortable existence within a thriving cultural centre, but most of the film was destroyed after the war. What does that tell you?
Bacon remembers participating in a children’s opera. But in December 1943, the family was moved to Auschwitz-Birkeau, to a family camp. Six months later, according to Yehuda, he was separated from his father, mother and sister. He claims his father was simply taken away one day to the gas chamber, and about the same time his mother and sister were deported to Stutthof camp, east of Danzig, while he remained at Auschwitz. This doesn’t make much sense. But I found what really happened by discovering this newsletter about “Birkenau Boys.”
In early July 1944 there was made a decision about a selection in the camp, which in fact meant liquidation of the family camp. Only 3,500 of the present men and women were then recognized as able-to-work and left that place of death. The rest of the prisoners – old, ill and mothers with children – were to face gas chambers [more of the myth].
Among them were dozens of boys around 14 and 15 years of age. Then one of them found the courage and asked the camp “doctor” Mengele to choose individuals able to work also [from] among them. Surprisingly, he agreed, and had a crowd of teen prisoners march again. Out of them, he compiled a group of about 90 boys which he then moved to the nearby men’s camp, marked B II d. …
The boys were placed in the men’s camp in Block 13, known as a criminal block. The prisoners there – Poles, Germans, Russians – were under a tightened regime and got harder work. Czech boys drew attention there, however the block supervisor did not limit their activities much; they played football or sang together Czech songs. […] Their days were mostly filled up with work – they helped in the kitchen, brought from outside [the camp?] things needed to repair roads or heat houses. Some of them even worked outside the camp.
After a few weeks a selected group of “able” boys was sent to work in the Reich.
But not Yehuda – he remained until the evacuation. He was probably small and slight, and maybe in some other ways not fit. His father, mother and sister, being capable of work, were sent to other camps to work in the vital munitions factories. On Bacon’s Wikipedia page, it says he “saw his father murdered in the gas chambers.” This, of course, is the type of big, fat lie he’s always told.
The story of his liberation
Bacon claims the “death march” he was on from Auschwitz began on January 18, 1945. All it amounted to was a 2-day walk to Blechhammer, then several days of rest, and he boarded a boxcar train to Mauthausen, where he obviously was not killed. In spite of the fact that he appears to have been useless, he continued to be fed and housed by the Nazis. In early April, he was moved to Gunskirchen, a sub-camp 50 kilometers away. It was there he says he and another boy just walked away one day and met up with the US Army on May 5th. He was taken to a hospital in the town of Steyr, after which he went to Prague but could not find his family members. From there he went to France (perhaps to the Jewish Orphans Home where Elie was?) and then Israel, where he studied painting, drawing and graphics and eventually became a professor in Jerusalem. A miracle for sure, since he cannot draw. His paintings are said to “translate the Holocaust artistically” and today “hang in the Yad Vashem and the US Congress.”
The “art” of Yehuda Bacon
To cover for his lack of any talent for his chosen profession, things like this are written about his work.
His Œuvre consists of a synergistic interaction: on the one hand, Bacon processes the experiences of his childhood and youth in the concentration camps, on the other he is searching for a way of understanding through his art.
Such is the way Jewish critics cover for bad Jewish art, but Bacon is particularly only a holocaust promoter, creating primitive and ridiculous depictions of fantasy. Most of his ‘works’ are very small, too; most are measured in centimeters. Of special interest, he is the one who drew the “gas chamber” interior that I reproduced in my book Auschwitz: The Underground Guided Tour. These meaningless lines cannot be from memory, but he was told what it was supposed to contain. What a fraud.
You can see more of Bacon’s Œuvre here.